Roe Glenn H. (EN) — Passion of Charles Péguy: Literature, Modernity, and the Crisis of Historicism

Passion of Charles Péguy: Literature, Modernity, and the Crisis of Historicism краткое содержание

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In many ways, the development of twentieth-century literary criticism and theory can be seen as a prolonged struggle against the pervading influence of nineteenth-century positivist historicism. Anglo-American New Criticism and later French Post-structuralism and Deconstruction are the best-known instances of this conflict. Less widely known, but no less important to contemporary literary studies, are Charles PA©guys earlier debates with French academichistoricism in the years leading up to World War One. First examined by Antoine Compagnon in his ground-breaking work La TroisiA?me RA©publique des lettres in 1983, it is a period in French literary and cultural history that remains, some thirty years later, largely untreated in English. This book thus addressesan important, albeit relatively unexplored, moment in the development of twentieth-century literary history and theory. By way of PA©guys foundational polemics with modernity and his role in the related crisis of historicism, we gain a better understanding of the critical basis from which similar anti-positivist and anti-historicist critiques were later enacted on both sides of the Atlantic. In situating PA©guys passions and polemics within the larger cultural and historicalcontext, Glenn H. Roe invites us to reconsider and re-evaluate PA©guys place among twentieth-century literary figures. Beyond its literary-critical aspects, The Passion of Charles PA©guy provides a general view of early twentieth-century debates related to the role of literary studies in modern society, the reform ofthe French educational system, and the formation of literary history as an academic discipline in both France and abroad.